Once upon a time, Sissy Spacek played an emotionally iffy, neglected wife in Crimes of the Heart, based on the play of the same name. One of the extraordinary things about this film was its female star power. I was wowed to see Diane Keaton (Lenny), Jessica Lange (Meg), and Sissy Spacek (Babe) all on the same big screen, in a poignant story about family love and dysfunction, loss and hope.
One day, Babe was depressed. Cornered by circumstances and choices, she stood on a wooden chair, tied a thick rope around her neck, knotted it to the overhead chandelier, and knocked the chair out from under her. As her weight crashed to the end of the rope, the chandelier flew out of the ceiling, and Babe, rope, chandelier, yards and yards of electric line, and huge chunks of plaster fell past the 2nd floor, past the stairwell, and into the front hall. Not to be daunted by this unforeseen glitch, Babe got to her feet, and dragged the chandelier (still attached to her neck), bumping and scraping across the floor, down the hall, and into the kitchen. She went straight to the stove, flung all the burners on, threw open the oven door, and hurled her body in, headfirst, with the sound of gas hissing menacingly in the background. Enter Meg, running. Meg yanks Babe out of the oven, throws her into a chair, turns off all the burners, flies back across the kitchen floor, and kneels at her feet.
"Why'd you do it, Babe?" she asks of her panting, gasping sister, while she frantically saws at the rope with a dull blade from a pair scissors that had been lying on the table (the first weapon of Babe's botched suicide attempts).
"I've had a really bad day," Babe replies.
You would think that would be the punchline, wouldn't you? But it only gets better.
"Babe, you have just got to find some other way to deal with those bad days."
Crimes of the Heart
play and screenplay by Beth Henley
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